We talk about migration, the mother of a paternal presence bales of nature, exile, and many other things in The geese can not tell us first book of poetry by Mireille Gagné. Here and there, the author sends images figuratively, sometimes plays with the terms: "I hunt in the snow gun / pulls the river to scare the ice, returns to childhood, which is probably the central theme of book. It is in the finesse that begins and continues to this expedition LBS heart of nature, which is reminiscent of a paradise lost. Without lunar gravity, without shimmer in the ontological, the author discusses life, reminding us of the death of things better than ours.
(A word to the publishing house, we could do without a back cover my faith very syrupy, who wants too take the reader by the hand: "The writing of these deals [...] Terrible things are essential, and illuminates the close relationship between humans and nature. "It's going for the relationship between humans and nature, but in terms of writing which "deals with serious matters, core", which of us, intelligent reader would expect a poet talking about something other than that, serious things, essential?)
The geese can not tell us
Mireille Gagné
Hexagon, 2010
72 per
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