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Today, Chopin would have been 201 years

My intimate know my love for Chopin. Like any love, it happens to intellectual and rational considerations. He escapes even, at times, to my own analysis, and it is great. But because I thought a lot about love over the years, I've managed to get responses that allow me to better understand it. It goes without saying that a few key moments have accompanied my journey into the lair of my lasting friendship with Frédéric Chopin.

I'm not from a family of musicians, or intellectuals, but soon, Chopin had signed a pact with my loneliness, the conditional to experience music, perhaps of despair. When he arrived - it was summer, a hot sun beat and crossed windows, I was in the lounge of the family home, it was about 18 pm - Polish engineering has not requested permission and required no thanks. He came in without saying anything and left as silently.

There is a little over ten years, I was a music store for classical music in a large bookstore in Plateau Mont-Royal. Every day, I unwrapped a considerable number of discs that I listened to myself and listening again "to the ear . Before the advent of Youtube and Musicme, there was no other way to find and compare interpretations. I remember very well my reading of the booklet a beautiful version of Nocturnes by pianist Lilia Rev, where for the first time in my life, I was reading about Chopin, the word "genius" such that employed by the author of the book to describe the art of the composer. That word "genius," I never dared to append to Chopin, for fear of being judged - a victim of my own subjectivity, I kept almost entirely to me that love - I confirmed that my admiration for the musician was based . After reading the book, I began to walk more briskly, to speak more freely about the author of mazurkas. The fear has disappeared, I breathed his name in conversations, even those who do not treat music.

few weeks later the same year, I was browsing an article on Scriabin. To my delight, I discovered that during his childhood and adolescence, the Russian composer did not spend a day without studying the scores of Chopin. It is even said that he kept these partitions, fiercely under his pillow! Item staggering my reading, I learned that Scriabin called the Polish genius father. This revelation was a shock for me, and I immediately exclaimed: "But who then is the real father of Scriabin?". I understand now the crack of the composer, supreme goddess of music.

past few weeks, Chopin obsesses me seriously. It is there, everywhere, every day and every hour, circling my house, in the subway, in buses and in the street. I talk to him, he replied, he whispers, I fumed and left speechless. Is that because today I have the age of the composer that I scoff at all this as strongly collusion? Although they are not new, they concern in recent weeks, at depths to the confines of my senses.

few weeks ago, a dear friend presented me with a book. The ghost of Chopin Thierry Martin Scherrer. Analyzes and links the author makes this test relate to the level of poetic mystery object. Fascinating, dreamlike and sweetly sinister in tone, this book, bought in Paris - where Chopin rests - is not available in Quebec.

My night was not planned - it's what I love the night, there is no need to establish order, but rather to dream for that we succeed - and at midnight, I went for a ride on Youtube. Curious to hear and see candidates Chopin International Piano Competition (held every 5 years is probably the most important piano competitions in the world), I am connected to the site and saw benefits so dazzling that some of them have even managed to shoot me some tears. I remembered this: "This little already plays better than us," said Artur Rubinstein, Maurizio Pollini about that, aged only 18, won first prize in 1960 at the famous contest. These words of pianist dandy - then a member of the jury - rang high while listening to the young Asian interpret First Ballade in G minor . You'll find the link below if you're curious - is it strange that despite such a beautiful performance, the pianist has failed to make the final. We will question the functioning of competition and the criteria for jury selection ...

http://www.youtube.com/watch?v=a0sTM0HVzPY&feature=fvsr

Obviously, my love of Chopin, and he alone, which forces me to write tonight. If Mozart knew so well integrated into my life, because my relationship with Chopin was invulnerable and accomplished. And if I can today to love literature as well, because during all that time when books were missing from my life, the piano serves as a library. Happy Birthday

Frycek!

"The share of the shadow is almost zero at the entrance of his life. At exit, the share of light is zero. The sun hung in his parents' back, he launched into his shadow. The shadow stretches over the road and years, thousands of kilometers. The setting sun, it stretches further. Buried alive, he stretches it along, member against member. Accepting the day that flower in bloom. Leaning on his shadow still further, it will eventually spoil her.

( The Phantom of Chopin, Thierry Martin Scherrer)

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Brad Mehldau and Anne Sofie von Otter in the Theatre Maisonneuve

My first album was a classic 33 laps of Chopin. My first pop record a CD of the Beatles. And my first acquisition of jazz was the John Coltrane. The purchase of Chopin was inspired by a book which included a moving portrait of the Polish genius when I was 8 years old. The Beatles album purchased by an electric guitar as a teenager. Coltrane and the Mr Holland's film opus seen for the first time in 24 years and where the main character, played by Richard Dreyfuss, telling his son what was primarily responsible for his passion for music and it was great to saxophonist A Love Supreme.

What he learned from that paragraph back? That jazz came a little later than the rest, yes, and although it does not downgrade the classical music in my heart, he is, like pop music, an important man in my life, musician and music lover. If a piece of jazz or pop approximates a little bit of classical music, either the interpretation or instrumentation, my ears can then spin the perfect happiness. Tonight, the pianist Brad Mehldau and mezzo-soprano Anne Sofie von Otter gave us a magnificent concert at the Theatre Maisonneuve of Place des Arts. Dame von Otter was his first performance in Montreal.

The program was generous and eclectic: one part classic, with songs by Grieg, Sibelius, Brahms, Strauss ... Mehldau is even sang two pieces for solo piano from the opus 79 Brahms. And the second classic, with songs composed by Mehldau and can be heard, duet with Swedish mezzo, in the beautiful double disc Love songs, published a few months ago Naïve. These songs, which are in the tradition of classical music and song (in terms of style rather than the language), involve the mastery of piano technique and writing classic Mehldau: we it finds counterpoint, harmony and melody carefully wrought. Then, the duo has served some traditional French songs, which can also be heard in Love songs, among them Say when are you coming back Barbara, Maxence's Song by Michel Legrand, and Parts English directory, which Blackbird Beatles and the beautiful Marcie Joni Mitchell, to name a few. But we must admit that it is in the second part that the pianist has really dazzled. That's where he was the most dashing, the most imaginative and liberated "rules" and the rigor of classical music. There he was given whole. A true jazzman , Mehldau has ventured into paths and winding melodic sober, transforming themes, relaying the right hand to the left, making the piano a seasoned tenor, all without excess Lace and without unnecessary pyrotechnics. His touch, his phrasing was something hypnotic (whew, the chirping of birds in the solo Blackbird !), And the amplitude of the piano sound, although small, finally gushed into her size - it is a pity the Steinway Theatre Maisonneuve reach difficult to reach f for acting could use some work.

Anne Sofie von Otter was equally impeccable singing with precision and sensitivity. In addition to phrase beautifully, the complicity of the tandem was clear and beautiful to behold. Addressing the audience in French and English, his spontaneity and ease on the scene simply showed, a thousand miles from that other great singers have already given the public that they secretly nicknamed "divas" to the unpredictability of their temperament than for their vocal abilities.

The duo gave two encores. To my friend who accompanied me, I blew, "I want them to play until the clock strikes midnight.

When I go to concerts and also teeming coolers, I can not help but think of those three records purchased several years ago. In equal measure, they were all three in the spotlight tonight.

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